{"product_id":"five-minutes-more-by-sybil-jason-paperback","title":"FIVE MINUTES MORE by Sybil Jason (paperback)","description":"\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:Arial;\n\tpanose-1:2 11 6 4 2 2 2 2 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Times;\n\tpanose-1:2 0 5 0 0 0 0 0 0 0;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Cambria;\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\n@page Section1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.0in 1.0in 1.0in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.Section1\n\t{page:Section1;}\n--\u003e\u003c\/style\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-family: Times; mso-bidi-font-family: Times;\"\u003eSybil Jason enjoyed five years of fame as a child actress in the late 1930s, and at one time, was considered a serious rival to Shirley Temple. She appeared on radio, records, and a small role in the film, \u003ci\u003eBarnacle Bill\u003c\/i\u003e (1935). After a screen test at Warner Bros.’ London studio, she was signed to a contract. Her American film debut came as the lead in \u003ci\u003eLittle Big Shot\u003c\/i\u003e (1935), directed by Michael Curtiz and co-starring Glenda Farrell, Robert Armstrong, and Edward Everett Horton.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-family: Times; mso-bidi-font-family: Times;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial; mso-bidi-font-family: Arial;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-family: Times; mso-bidi-font-family: Times;\"\u003eShe appeared with Kay Francis in \u003ci\u003eI Found Stella Parish\u003c\/i\u003e (1935), Al Jolson in \u003ci\u003eThe Singing Kid\u003c\/i\u003e (1936), Pat O'Brien and Humphrey Bogart in \u003ci\u003eThe Great O'Malley\u003c\/i\u003e (1937), and again with Kay Francis in \u003ci\u003eComet Over Broadway\u003c\/i\u003e (1938). Warners also starred her in \u003ci\u003eThe Captain's Kid\u003c\/i\u003e (1937), and four Vitaphone two-reelers filmed in Technicolor: \u003ci\u003eChanging of the Guard\u003c\/i\u003e, \u003ci\u003eA Day at Santa Anita\u003c\/i\u003e, \u003ci\u003eLittle Pioneer,\u003c\/i\u003e and \u003ci\u003eThe Littlest Diplomat.\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-family: Times; mso-bidi-font-family: Times;\"\u003e\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial; mso-bidi-font-family: Arial;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-family: Times; mso-bidi-font-family: Times;\"\u003eHer film career ended after playing two supporting roles at 20th Century Fox in \u003ci\u003eThe Little Princess\u003c\/i\u003e (1939) and \u003ci\u003eThe Blue Bird\u003c\/i\u003e (1940), both in support of Shirley Temple.\u003c\/span\u003e\u003cspan style=\"font-family: Arial; mso-bidi-font-family: Arial;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-family: Times; mso-bidi-font-family: Times;\"\u003eChapters include:\u003c\/span\u003e\u003cspan style=\"font-family: Arial; mso-bidi-font-family: Arial;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-family: Arial; mso-bidi-font-family: Arial;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 14.0pt; font-family: Times; mso-bidi-font-family: Times;\"\u003eChapter 1: Explanation of contents of new book \u003c\/span\u003e\u003cspan style=\"font-family: Arial; mso-bidi-font-family: Arial;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 14.0pt; font-family: Times; mso-bidi-font-family: Times;\"\u003eChapter 2: CHILD STAR SYNDROME Why most ex-kid stars don't succeed as adults \u003c\/span\u003e\u003cspan style=\"font-family: Arial; mso-bidi-font-family: Arial;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 14.0pt; font-family: Times; mso-bidi-font-family: Times;\"\u003eChapter 3: THE SECOND TIME AROUND (I tried for a second career) \u003c\/span\u003e\u003cspan style=\"font-family: Arial; mso-bidi-font-family: Arial;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 14.0pt; font-family: Times; mso-bidi-font-family: Times;\"\u003eChapter 4: REALITY BITES (bad experience pursuing an adult career) \u003c\/span\u003e\u003cspan style=\"font-family: Arial; mso-bidi-font-family: Arial;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 14.0pt; font-family: Times; mso-bidi-font-family: Times;\"\u003eChapter 5: A POT POURRI OF TALENT (How and why I chose this new list of icons) \u003c\/span\u003e\u003cspan style=\"font-family: Arial; mso-bidi-font-family: Arial;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 14.0pt; font-family: Times; mso-bidi-font-family: Times;\"\u003eChapter 6: PETAH-PETAH-PETAH (Bette Davis) \u003c\/span\u003e\u003cspan style=\"font-family: Arial; mso-bidi-font-family: Arial;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 14.0pt; font-family: Times; mso-bidi-font-family: Times;\"\u003eChapter 7: THERE IS NOTHING LIKE A DAME (Joan Blondell, Glenda Farrell, Marion Davies, W. William\u003c\/span\u003e\u003cspan style=\"font-family: Arial; mso-bidi-font-family: Arial;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 14.0pt; font-family: Times; mso-bidi-font-family: Times;\"\u003e                Randolph Hearst, Carole Lombard) \u003c\/span\u003e\u003cspan style=\"font-family: Arial; mso-bidi-font-family: Arial;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 14.0pt; font-family: Times; mso-bidi-font-family: Times;\"\u003eChapter 8: ERIN GA BRAUGH (Pat O. Brien) \u003c\/span\u003e\u003cspan style=\"font-family: Arial; mso-bidi-font-family: Arial;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 14.0pt; font-family: Times; mso-bidi-font-family: Times;\"\u003eChapter 9: THE PLEASURE OF HER COMPANY (Kay Francis) \u003c\/span\u003e\u003cspan style=\"font-family: Arial; mso-bidi-font-family: Arial;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 14.0pt; font-family: Times; mso-bidi-font-family: Times;\"\u003eChapter 10: TALL, DARK \u0026amp; CHARMING (Cesar Romero) \u003c\/span\u003e\u003cspan style=\"font-family: Arial; mso-bidi-font-family: Arial;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 14.0pt; font-family: Times; mso-bidi-font-family: Times;\"\u003eChapter 11: BORN TO DANCE (Eleanor Powell) \u003c\/span\u003e\u003cspan style=\"font-family: Arial; mso-bidi-font-family: Arial;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 14.0pt; font-family: Times; mso-bidi-font-family: Times;\"\u003eChapter 12: WHEN SILENCE WAS TRULY GOLDEN \u003c\/span\u003e\u003cspan style=\"font-family: Arial; mso-bidi-font-family: Arial;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 14.0pt; font-family: Times; mso-bidi-font-family: Times;\"\u003eChapter 13: A TRUE GENIUS (Charlie Chaplin) \u003c\/span\u003e\u003cspan style=\"font-family: Arial; mso-bidi-font-family: Arial;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 14.0pt; font-family: Times; mso-bidi-font-family: Times;\"\u003eChapter 14: A DAREDEVIL COMEDIAN (Harold Lloyd) \u003c\/span\u003e\u003cspan style=\"font-family: Arial; mso-bidi-font-family: Arial;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 14.0pt; font-family: Times; mso-bidi-font-family: Times;\"\u003eChapter 15: I NEVER CALLED HIM FATTY (Minta Durfee Arbuckle) \u003c\/span\u003e\u003cspan style=\"font-family: Arial; mso-bidi-font-family: Arial;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 14.0pt; font-family: Times; mso-bidi-font-family: Times;\"\u003eChapter 16: THE KID (Jackie Coogan) \u003c\/span\u003e\u003cspan style=\"font-family: Arial; mso-bidi-font-family: Arial;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 14.0pt; font-family: Times; mso-bidi-font-family: Times;\"\u003eChapter 17: VAUDEVILLIANS SUPREME (MIKE \u0026amp; MEYER Joe Weber and Lew Fields) \u003c\/span\u003e\u003cspan style=\"font-family: Arial; mso-bidi-font-family: Arial;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 14.0pt; font-family: Times; mso-bidi-font-family: Times;\"\u003eChapter 18: DEM GUYS (J. Carrol Naish, Jack LaRue, Ward Bond, Marc Lawrence, Joseph Sawyer)\u003c\/span\u003e\u003cspan style=\"font-family: Arial; mso-bidi-font-family: Arial;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 14.0pt; font-family: Times; mso-bidi-font-family: Times;\"\u003eChapter 19: SECOND BANANA SCENE STEALERS (Edward Everett Horton and Allen Jenkins) Chapter 20:\u003c\/span\u003e\u003cspan style=\"font-family: Arial; mso-bidi-font-family: Arial;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 14.0pt; font-family: Times; mso-bidi-font-family: Times;\"\u003e                 BEFORE AND AFTER (Linda Darnell) \u003c\/span\u003e\u003cspan style=\"font-family: Arial; mso-bidi-font-family: Arial;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 14.0pt; font-family: Times; mso-bidi-font-family: Times;\"\u003eChapter 21: WHAT YOU SEE IS WHAT YOU GET (Joan Leslie) \u003c\/span\u003e\u003cspan style=\"font-family: Arial; mso-bidi-font-family: Arial;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 14.0pt; font-family: Times; mso-bidi-font-family: Times;\"\u003eChapter 22: HOW LUCKY CAN YOU GET (Ann Rutherford) \u003c\/span\u003e\u003cspan style=\"font-family: Arial; mso-bidi-font-family: Arial;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 14.0pt; font-family: Times; mso-bidi-font-family: Times;\"\u003eChapter 23: THE FACE IS FAMILIAR (Delmar Watson) \u003c\/span\u003e\u003cspan style=\"font-family: Arial; mso-bidi-font-family: Arial;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 14.0pt; font-family: Times; mso-bidi-font-family: Times;\"\u003eChapter 24: THE NAME IS JONES, D. JONES (Dickie Jones)\u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Default Title","offer_id":52506638647527,"sku":"fui1787291587423","price":17.28,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0743\/1110\/6791\/files\/five-minutes-more-by-sybil-jason-paperback_1.jpg?v=1787291592","url":"https:\/\/streetcladfashion.shop\/products\/five-minutes-more-by-sybil-jason-paperback","provider":"My Store","version":"1.0","type":"link"}